#` * ✧. out of character — interaction call.

[unboundprompts]

Do you have any advice for a character who has a sort of sacrificial lamb complex? A savior complex but not as in a hero to save the day, but as in they don't believe they deserve to save themselves?

How to Write a Sacrificial Character

Backstory and Motivation

Traumatic Past: Explore the character’s history. Perhaps they’ve experienced abandonment, betrayal, or loss, leading them to internalize the belief that their worth is tied to suffering for others.

Family Expectations: They may come from a family that emphasizes self-sacrifice or has a history of martyrdom, teaching them that their own needs are secondary to others.

Guilt and Responsibility: The character might feel an overwhelming sense of guilt for past failures, believing that they owe it to others to endure hardship or take on burdens.

Internal Conflict

Self-Worth Issues: Illustrate their struggle with self-worth. They might dismiss compliments or feel undeserving of happiness, using phrases like “I don’t deserve this” or “I have to earn my place.”

Desire for Connection: While they may push others away, they also yearn for connection and love, creating an internal tug-of-war between wanting to be saved and believing they are unworthy of it.

Sacrificial Actions

Small Acts of Sacrifice: Show them making small sacrifices for friends or loved ones, like skipping meals or taking on additional work, which reinforces their belief that they should suffer for others’ well-being.

Dramatic Moments: Create pivotal scenes where they are put in a position to sacrifice themselves for someone else—physically or emotionally. This can highlight their motivations and lead to significant character development.

Interactions with Others

Supportive Characters: Introduce characters who try to save or help them, but the sacrificial character resists, believing their problems aren’t worth the effort. This can create tension and deepen their internal struggle.

Small Acts of Kindness: Have moments where others go out of their way to help them, reinforcing that they are worthy of care and support. This can include simple gestures, affirmations, or sacrifices made on their behalf.

Conflict with a Mentor or Friend: A mentor figure might challenge this belief, encouraging them to see their value and fight for themselves, leading to moments of growth and resistance.

Gradual Change

Moments of Clarity: Show them having fleeting moments of realization where they understand their self-worth, possibly triggered by a significant event or dialogue with another character.

Catalyst for Change: Introduce a scenario where they must choose between self-sacrifice and self-preservation, forcing them to confront their beliefs head-on.

Life-Altering Experience: Put the character in a situation that forces them to confront their fears, such as a near-death experience or a pivotal choice between saving themselves or others. This moment can act as a wake-up call to their worth.

Acts of Courage: Have them step up in a crisis, leading to a moment where they save someone else and realize their capability and value. This can help them see that they have something to offer.

Turning Point: Create a climactic moment where the character realizes they deserve to save themselves, possibly triggered by witnessing someone else sacrifice themselves for them, prompting a realization of their worth.

Final Confrontation: In the final confrontation (with a villain or personal demon), let them stand up for themselves, verbalizing their worth and challenging the beliefs that have held them back.

Symbolism and Themes

Recurring Motifs: Use symbols that represent sacrifice and self-worth, like broken mirrors (self-perception) or shadows (their past). These can help reinforce their internal struggles visually throughout the narrative.

Redemption Arc: If they ultimately find a way to save themselves or allow others to save them, showcase this as a powerful moment of growth, suggesting that self-worth and love are intertwined.

Emotional Depth

Show Vulnerability: Allow the character to express their fears and doubts, whether through dialogue, journaling, or introspection, making their internal battles relatable and poignant.

Balance with Humor: If appropriate for your story, consider moments of humor or lightness to juxtapose their darker thoughts, showing that they are more than their complex.

[savageshadows]

the salty af munday meme

Because, like it or not, we're not all balls of sunshine all the time. We can be pure salt when we want to be.

☠ What does someone have to do for an instant unfollow from you?

♥ What's the WORST thing that has happened to you rp wise?

♦ What was a mildly annoying thing that has happened to you rp wise?

♢ Has anyone ever tried to steal your blog? Your headcanons? Icons? All that jazz

♚ How many people don't like you?

⚜ How many people do you not like?

✮ Have you managed to stay away from drama?

☄ Have you ever been in the middle of drama?

☯ Have you ever tried to bring peace to a situation?

☼ How long do you stay mad?

☀ What's your rp pet peeve?

☁ Have you ever forgiven a partner when you shouldn't have?

☂ Have you ever been forgiven when you knew you shouldn't have been?

☢ What fads/trends are you so over?

☣ Have you ever rp'd with someone you knew for a fact was abusive but tried to give them a chance/to make up your own opinion on the roleplayer? Did they change or did you understand what people were talking about?

♨ Have you ever made a public call out post?

❀ What has made you completely lose your chill?

✿ What do you think about public call out posts?

✂ A fandom that you feel isn't open and accepting?

✉ A fandom that you feel is open and accepting?

✦ Thoughts on duplicates following you?

✧ Do you agree with reblog karma or is it forced interaction?

❥ Has someone ever ruined an FC or character for you?

❦ Has someone been jealous of you?

❧ Have you ever been jealous of anyone?

✖ How has Tumblr RP changed since you started?

♒ Thoughts on the fandom you're currently rping in?

❣ How salty are you feeling right now?

[idkdudethisisntpermanent]

Blurred Lines

jenna ortega x female reader

summary: You and Jenna, best friends and actresses, are cast as lovers for the first time, tasked with bringing a romantic chemistry to the screen. But as scenes unfold, the lines between acting and reality begin to blur.

word count: 2.1k

a/n: This was actually the first Jenna story I wrote!

————

What are you thinking so hard about? Jenna asks plopping down in the director's chair next to you.

After being best friends for years, you and Jenna have finally gotten the opportunity to work alongside each other on your latest film Lovestruck, a romance film where you two are playing the lead couple.

You. You wanted to say, but you were 8 years too deep in the friendzone to truly say what was on your mind. "Just the next scene," you smile at her tiredly.

Her eyes light up, "I've been looking forward to this scene for so long!  God just look at that view Y/n!  I'm so jealous of Lalya," she sighs, referencing the character she's playing in the film. "Just who wouldn't love to be confessed to here," your co-star finishes looking over at you with sparkles in her eyes.

When your manager gave you the script for this project, you could only laugh at how much the story paralleled your situation with Jenna.  You were playing Quinn, a girl who has been in love with her friend for years, but couldn't do anything about it.  Eventually the mixed signals and watching the one she loves be with others got too much, and Quinn angrily confesses by the lakefront during a sunset; the view Jenna was fawning over just a minute ago.

You could only wish that the aftermath of any potential confession of yours could resemble the one in this film. Layla ends up reciprocating Quinn's feelings and it's a happy ending.

Unfortunately the universe isn't as perfect as an angsty teen romance, and is rather a sick minded individual who gets a kick out of meddling with people's lives. For years you and Jenna have auditioned for the same projects to play friends, enemies, even sister's but why is it that the one project both of you manage to land is this one?

"Y/n/n!"

Startled, you look over at the girl who's been trying to get your attention for all this time while you zoned out. "Y-yeah sorry. You're right. It would be a dream to be confessed to here."

She hums and stands up before placing a hand on your shoulder looking intently into your eyes, "I'll see you on set after the break, hope you bring your A game Y/l/n," she winks with a smile before walking off.

Jenna walks over to Andrew another actor working the film and immediately starts laughing and touching his arm in conversation.  You couldn't help but roll your eyes, but you also couldn't tear your eyes away from the scene that always happened to unfold in front of you.

It hurts you beyond belief watching your best friend interact flirtatiously with other people. Having to hear about rumoured boyfriends and especially having her not deny them. The mixed signals you got from the girl wasn't any help either, like what was that hand on the shoulder just now? The wink?!

You walk away trying your very best to calm yourself down before your big scene. Jenna frowned as she watched you walk away and towards your personal trailer.

————

The director calls everyone to set and has prepared to shoot the big confession scene. The crew helps you and Jenna find your places and fixes up any imperfections in your clothing. As you stand before your co-star you're hit with a strong wave of emotions. The 20 minutes you spent in the trailer wasn't much help, and now as you watch Jenna who is looking at you curiously, you make a realization.

You may never confess to Jenna. How could you? This friendship was the greatest you've ever had and you were aware of the fact that friendships like this one, don't come easy. It would be insanely stupid of you to confess your love and single-handedly lose a gem like Jenna completely. The more you thought about it, the interactions between Andrew, the rumours with Percy, and countless other boys, the more helpless you felt. There was no way she could feel the same.

"You okay?" the gentle voice you've come to love speaks.

You're silent.  She looks at you with her big doe eyes that you've come to love, but at this very moment you hate so much.  The concern in her eyes is pushing you off the edge.  You hated it.  You hated how her caring nature has only gotten you falling tenfolds harder. Why does she have to be good to me, why does she torture me like this you ask yourself.

"Y/n/n."

You look away, refusing to look into her eyes, scared of the emotions you'll find in them, scared of finding out how much more you could fall in love with her in this moment, so you settle on the view of the sunset.

The director begins a 10 second countdown to cue in the start of the scene and you're still looking at the sunset pondering. This may be the only time that you'll ever speak the words of a confession to Jenna. Yes, to her it'll be you performing the script, Quinn speaking these words, but she doesn't have to know that you will mean all the words you speak with every fibre of your being.

A light smile plays on your lips as you think about the performance you're about to give and how it should get you nominated for all the acting awards in existence. The lines of Quinn and Y/n have blurred, and you are playing no character other then yourself.

You won't be acting.

"Action!"

The scene begins and you start marching away from Jenna like the script told you to.

"Wait- Stop!" Jenna says frantically grabbing on to your arm.You roll your eyes, shrugging her off and continue walking.

"Why do you insist on hurting me?" She shouts, following the script.  You stop walking and pause.One beat. Two beat. Just like the script instructed. You turn around, glaring at her with more intensity than the script demands, "Me? Hurt you? That's rich coming from you."

Jenna hesitates, caught off guard by the seriousness in your voice, but quickly recovers, staying in character.

"Yes you asshole! I invite you to the lake house, and all you do is ignore me!"  Groaning into your hands, you speak your next line.  "Layla. You're joking right?"

"No Q, I'm not.  Do you even care about me?  It's my fucking birthday, and you're acting like I'm not even here, sulking in one of your moods and embarrassing me in front of my friends!"

"Then what am I?"

"What?"

You laugh, running your hands through your hair, struggling to keep your emotions in check.

"If those are your little fucking friends, then what am I to you?"

Jenna acted taken aback like she was supposed to, "My friend? My best friend? I don't know that's not the point! Wh-"

You cut her off, "But it is the point!"

You break the script.

You blink hard, letting the tears that were building up before the scene fall down your face.

Jenna had a look in her eyes that you've never seen before it was confusion and something else you couldn't pinpoint. Being the amazing actress that she is, she improvs her next line, so the scene can get back on track.

"Here you go again not wanting to address the real issue," she rolls her eyes.

You decide to stick to the script with tears streaming down your face. "I can't keep doing this anymore Layla," the words carrying the weight of years of hidden feelings. "Watching you with them, pretending I'm fine when I'm not. I can't just be your friend anymore."

Jenna's eyes widen, her character momentarily forgotten as she registers the raw emotion in your voice. "Quinn... what are you saying?"

You take a deep breath, letting it all out, the pain, the frustration, the love. You're about to do it and you hope that just for a second your performance will blur the lines for Jenna. "I'm saying that I'm in love with you, and I have been for a long time. And it kills me every time I see you with someone else, knowing I can't be the one to make you smile like that."

The silence that follows is deafening. You can feel your heart pounding in your chest, waiting for her response, both in character and out of it. The director's voice seems far away as he doesn't call cut, letting the scene play out naturally. For a moment you start to think that Jenna has forgotten her line, she's supposed to say, "For how long?"

But she goes off script.

She takes a step forward so she's only a foot away from you and takes your trembling hands (that you didn't even realize were shaking) in her own, an attempt to calm you down.

Jenna, as Layla, steps closer, her own tears glistening in the fading light. "Why didn't you tell me sooner, Quinn? Why did you let me go on thinking we were just friends?"

Your voice cracks as you respond, "Because I was scared. Scared of losing you, scared of ruining what we have. But I can't keep pretending anymore."

Jenna reaches up, gently cupping your face with her hands, her touch warm and soft. "You idiot," she whispers, her voice trembling. "How could you not know? How could you think for even a second that I didn't feel the same way?"

Her words hit you like a ton of bricks, and for a moment you forget that you're on set, that this is all supposed to be a performance. It feels too real, too raw.

"T-then what about everything I see? All those guys?" You say staying true to the script, but you couldn't hold your tongue and add, "The rumours? The interactions I always see?"

Jenna clearly seems taken aback by your addition to the script, and opens her mouth and closes it, at a loss for words.

You can't help yourself and continue, "Do you have any idea what it's like to watch you with other guys? To see you flirt with everyone else and feel like I'm just...invisible?"

Jenna's heart races as she realizes the depth of your feelings, the lines between the script and reality blurring completely.

Jenna continues, the rest of the scene now being pure improv. With tears in her eyes, "I wasn't trying to hurt you...Q. I wanted you to notice me. To see me the way I see you.

You freeze, your heart pounding in your chest. Jenna's voice is trembling, her gaze locked on yours, and for the first time you realize she's not just playing a role. She's confessing, right here, in front of everyone.

"I've been in love with you for so long," you get out through tears, "But all I've ever seen is you with them... like I don't even exist."

The shorter girl steps closer, dropping the last remnants of her character. Her hands reach up to cup your face, her touch gentle and filled with unspoken emotion.

"I didn't know how to tell you, Quinn. I was scared, so I tried to make you jealous, provoke you into action, hoping you'd finally do something. I-I was hoping you'd see how much I care. How much I...love you.

Your breath catches, your heart pounds in your ears, and you break character completely not caring anymore, in a trembling voice you ask, "You really feel the same way?"

Jenna nods, tears spilling over as she smiles, a mixture of relief and vulnerability in her expression.

"Yes, Q. I've always felt this way. I was just too scared to admit it... but not anymore."

You blink, struggling to process what's happening. This wasn't in the script—none of this was. But it's real, and it's happening now.

You smile through the tears, "Then let's stop pretending, Jenna. No more games... I'm yours if you'll have me.

Jenna lets out a small, tearful laugh, pulling you into a tight embrace. The cameras are still rolling despite your name drop, but none of that matters anymore. She pulls back just enough to look at you, her eyes shining with a love that's no longer hidden.

"I've always been yours. Always."

In that moment, you lean in, pressing your lips to hers in a kiss that's filled with all the years of longing and love you've both kept hidden. When you finally pull away, you're both breathless, tears of happiness mingling with the raw emotion of the scene.

The director calls "Cut," but neither of you moves, still lost in each other's eyes. For a moment, the set is silent, the crew unsure if they've just witnessed the best acting of your careers or something far more real. But you both know the truth—and it's better than any script that could have been written.

[cepheusgalaxy]

OHOHOHOHO

Cws: abuse, manipulation, vioelence mention and transphobia, dubcon mentions

^^^^^

OK, so the one who has Ex Baggage out of all of my WIPs is Kaiki. He was one of the earliest ones I did for Ein, and I was much more into exploring bad romantic relationships back then. I still kept it because it's fun (although i considered erasing that lore for a while)

I still have yet to settle for a good and consisten timespan and timeline, but he has had two partners in the past

He is greyaro, AND he was romance-favorable at the time, so he really wanted to date. (He started dating after he came out [as trans])

His first girlfriend was a bi girl called [lemme check her name in my old files real quick coz i haven't made an updated doc yet] Maliene

Ok, so, Mali was a pretty shitty person. She was like, violent and also treated him like a girl. He was very scared of breaking up with her so his family helped him.

After that, his new boyfriend was a gay guy named Lois.

Lois was way more subtly violent. He never beat Kaiki nor misgendered him often (when he did it was genuinely accidental) and he was so manipulative

He'd give out threats and ask Kaiki things like "come on, it's not like I am like your previous girlfriend. Do you want me to be like her or what?" And like the whole gaslight gatekeep mansplain pack

Extra notes:

In general the experiences were both so terrible he quit dating and is VERY romance repulsed.

And sex repulsed as well

He did not have very nice first times or like, any times with any of them

I actually have a whole doc of what Lois' and Kaiki's interactions would be like. Like, dialogue lines and everything

I was coming up with a proper backstory for Lois when I first quit the idea, but I know he A. Is white and B. His family is from the south of the country C. Hes a very good-looking, black hair + blue eyes boy

This came from the era were Kaiki was bi (i think i also called him Ravi back then)

One of my plans from back then (still being revamped) was that later Lois would become a magician and show up in the storyline. Didn't evolved this one much

I had a very clear scene of how the Mali x Kaiki breakup went

Originally this was gonna go to lead to a subplot where Kaiki and the character that'd become Lis would have a beautiful friendship and the story would say that you don't need romantic relationships to be happy, even if you are alloromantic

how many Exes/Ex-Situationships does your oc have? Do they still talk or interact with any of them?

.

[everytimewetouch-dot-mp3]

i think part of the reason shang qinghua transmigrated as a baby is because he needed more time to think of the story’s world as real. everyone was either his oc or a background character, so he felt a sense of ownership over everyone. so for him to transmigrate as a character whose backstory he may have only had in vague impressions, it probably forced him to interact with characters he didn’t ‘own’ for a long time before he met the ones that were his.

after ten, eleven, twelve years of relying on characters who probably didn’t even exist as faceless nobodies in his novel, he had no choice to think of them as real. watching his parents celebrate the birth of his younger brother and then grieve his death, feeling the way their relationship became strained afterward, seeing them trying to start over with their own new families… the similarity to his first life wasn’t lost on him.

these people were real, their emotions were real—their potential to hurt and to be hurt in exchange—all of it was real.

when he had to be shang qinghua, character and traitor to the sect, he fell back on trying to convince himself that it was all a story anyway. he’d been lying to himself treating it all as real—it was just a novel he wrote decades ago. no reason to ache when he saw the terror in his shizhi’s eyes, their bodies mangled on the ground. no reason to feel sick from the guilt. he had to do it. it was just a story. none of it was real, none of them were real.

shen qingqiu’s grief after the immortal alliance conference was near-legendary. there were stories and poems and songs written about the pain of a seemingly cold master kneeling at his precious disciple’s sword mound and calling out for him day in and day out.

shang qinghua’s grief was buried in productivity. no one commented on how efficient an ding peak was after the conference. how mistakes decreased, processes were streamlined, fewer tasks were delegated away from the the peak lord’s desk. how shang qinghua woke up in a cot on qian cao more often than he’d ever admit.

he wasn’t grieving his lost martial family. there was nothing to grieve. they weren’t real.

maybe soon, he’d start to believe it.

[httpvomitello]

Helloooo, can I request something for the 2018 turtles (ROTTMNT)? The reader arrives with the guys to show them the softshell turtle they got as a gift at a school science fair. Since they're not very sure how to take care of it, they go to the guys for help. And the turtle... it looks just like the one from The Amazing World of Gumball. I just think it would be fun to see the turtles (especially Donnie) interacting with the evil turtle haha 😭

OMG NOT THAT FREAKING TURTLE 😭😭 When I learned that Donnie is a softshell turtle, my mind immediately went to that turtle from Gumball. Like... Seriously??? That turtle is the reincarnation of evil, that's for sure. Anyways ~ i hope you like it! ♡♡♡♡

Leo is so pumped when you show up with a turtle

He’s already imagining the epic sibling turtle bonding he’ll all have, and he’s definitely scheming ways to turn your new buddy into his own personal sidekick

But as he leans in to get a better look, he catches the turtle giving him a super intense, villainous stare

"Uh, why is he looking at me like that?" Leo laughs nervously, tapping the glass of its little tank

The turtle does not break eye contact

In fact, it somehow looks like it’s plotting something

After a long, intense staring contest (which Leo loses), Leo's more hyped than ever

“Oh, we’re keeping him. This little guy’s got edge.”

He decides to call it something like "Sidekick Jr", and he tries to train it to glare on command, thinking it’ll be perfect to bring it to battle with him

Obviously you don't let that happen.

Raph’s eyebrows shoot up the second he sees the turtle

“Whoa. That turtle is… cute.”

Lying is not Raph's focus

He is all in for helping you take care of it

But as soon as he leans in, the turtle levels him with a stare so intense that Raph is slightly taken aback

“This guy looks like he could plan a heist,” he jokes, but he’s half-serious

He’s convinced the turtle has some secret agenda and will not let it out of his sight

Raph takes pride in helping you build a “fortified tank” to protect it from any “potential escape attempts.”

He even draws up “exercise drills” to help it “build character.”

He ends up calling it something like “Lil’ Warrior”

The turtle's name is Bob

And he spends a suspicious amount of time training it to recognize commands, because “A turtle like this needs discipline.”

Donnie’s reaction is extreme caution

Like... wtf? How is this turtle so ugly?

(He completely forgot that he is also a softshell turtle)

He’s thrilled you came to him about turtle care, especially because this guy is a fellow softshell

But then he notices the turtle’s… ominous glare

For the next ten minutes, Donnie just stares back, analyzing every detail

The turtle doesn’t blink

It feels like a showdown

"This isn’t just any turtle, you know," he mutters, more to himself

He immediately runs diagnostics on it, pulling out his tools to test its temperament and intelligence level, just in case

Donnie takes the turtle care seriously, sets up the perfect tank, gets the optimal UV lamp, and is constantly researching enrichment activities, but he still doesn’t entirely trust it

You catch him putting up tiny lasers around the tank "just in case."

And he insists on renaming it something like “Professor Menace” because, in his words

“Look at that face—he’s clearly up to something.”

Mikey’s reaction is pure delight. “Aw! Look at the lil’ guy!”

He immediately wants to hold it, but as soon as he picks it up, the turtle gives him a side-eye that could curdle milk

Yes, the turtle is judging Michelangelo

He tries everything

Offering lettuce, sweet-talking it, giving it little pets, but the turtle just stares, expression unreadable but somehow… sinister

“Why does he keep looking at me like that?” Mikey wonders, confused but determined to win the turtle’s affection

He’s convinced it just needs a bit of “good vibes,” so he tries playing calming music, talking to it about his day, and even painting a little flower on the tank

Despite the turtle’s apparent indifference

(And slightly ominous glare)

Mikey’s convinced they’re best friends

He starts calling it “Lil’ Grump,” swearing it’ll warm up eventually.

[elainsgirl]

Yk the main difference for me that makes or breaks a couple is their dynamic.

I can see Gwyn and Azriel being playful to each other as well as soft. They are the kind of couple that could go on and on about some topic and also offer comfort when one is having a nightmare.

And I have yet to get that vibes from elriel. All I get when I think about them is "The weather is exceptional today" "I agree"

I know this is a troll but what I find absolutely hilarious is how they want elriel but simply want to switch out Elain for a character they love more.

“the kind of couple that could go on and on about some topic”

Canon Gwynriel:

“how was the party?”

“fine.” He realised a heart beat later it wasn’t socially acceptable answer, “it was nice” not much better. “Did you and the priestesses havs a celebration?” “Yes, though the service was the main highlight”

“I see.”

And as Gwyn was about to open her mouth - what does Azriel do? Change the topic. So no actually, other then made-up Hcs gwynriel clearly aren’t the type of couple that can go on & on about some topic

yet

You have Azriel choosing to sit and listen to Elain talk about her gardens, at 3 in the morning.

”playful as well as soft” - the way a faint smile bloomed on Azriel’s cheek when he saw Elain clutching her fork? Az and Elain sitting together out in the gardens - with Az casually going through paperwork & Elain enjoying the sun? (If that’s not the definition of soft and domestic Idk what is) The way Az showed Elain the gardens? Elain calling his scars beautiful? All of these moments are soft, gentle & beautiful interactions.

“Offer comfort” - the way Az saw how uneasey Elain felt due to Amren so he took the attention of her? The way he offered her comfort throughout acowar in regards to her visions? The way Azriel put her at ease in acomaf? The way Elain went out of her way to find a solution to Azriel’s headaches?

It’s funny that elriel give off the “weather is exceptional today” vibes when Gwyn and Az have the most basic, mundane conversation in which Az was actively trying to be polite and Gwyn was giving half-hearted answers that left no room for discussion- I’ve had more interesting conversations with strangers then Az and Gwyn have.

At this point - yall are just making it clearer you want elriel but bcs you don’t like Elain you want to swap her out with a more tolerable character like Gwyn. The way gwynriel is predicted to be, canonically speaking- Elriel are already written to be like that.

[explodingchantry]

Spoilers for blood of arlathan

1. Why was my elven rook (WITH A VALLASLIN) even allowed within venatori territory especially when we just established they've been kidnapping dalish elves

2. Why would Strife not give my elven Rook and Bellara slave disguises rather than venatori disguises

3. Why did this venatori not call me a slur and why did he ask Neve not if Rook was her slave but her servant. Come on now

Like they did go far enough to have venatoris sitting on elven slaves but they're too scared to call my ELVEN. BIG ELVEN EARS Rook a slave? Like ok u don't necessarily have to call me a slur (though, a venatori would - even non slave owners in tevinter would. Humans in ferelden do) but like. Why would you think a venatori mage had a SERVANT rather than a slave, when Dorian turning his slaves into servants was this big unheard of thing WHICH IS REFERENCED IN THE CODEX ITSELF

Did they just not get allowed to say the word slave or what DLDKDKD

To literally anyone not ass deep in the dragon age trenches it seems so weird. And I know. And I know being upset at the lack of abhorrent fantasy racism that is way too similar to irl racism is WEIRD AS HELL. I GET ITTT (and I'm not exactly 'upset' at the lack of hate crime - I just find it out of character) and I get that they would NOTTTT want to call you slurs or a slave especially with the game's insistence on diversity (which is really, really good, by the way). And especially when one of the elves you can take along with you is a black man - that would not be very good at all.

At the same time, it genuinely goes so starkly against lore that was built for like 15 years that it is genuinely so immersion breaking KSJDKDJD

I think it's probably a really hard spot bioware found themselves in. They wanted to stop having characters be openly oppressive both to the player character and each other which is a noble goal, but they also built a deeply unequal and racist world AND sent us to the racist slave capital of that world AND made us interact with the big bosses of racism like come onnnn man because you depict it doesn't mean you condone it we all know this. If you didn't wanna depict inequality and racism then you shouldn't have made tevinter and venatori part of your narrative idk QLNSKSJS.

You even had bellara really just ask out loud "why would they (venatori) kidnap the dalish" like.... Girl... Why do you think...... This is just a thing they do before they even were part of a cult tevinters would just yoink elves from wherever they could find them to enslave them

It's also upsetting because it takes away the power, the pain, of previous storylines (city elf dao origin, the entirety of the denerim alienage storyline tbh, FENRIS) because this is the equivalent of turning around and saying "it actually was never that bad!" you know?????

The problem in blood of arlathan is also very easily avoidable - just make the elven party members (including an elven rook) wear hoods to hide their ears and their vallaslins lol that way u can avoid being bigoted to ur players AND can stay lore consistent

Vague veilguard spoilers? About being an elf in minrathous and various other northern locations

It's very difficult to not sound batshit insane when saying "why isn't anyone being fantasy racist to me" but like genuinely why isn't anyone being fantasy racist to my openly elven rook. Especially when I'm parading around Minrathous, basically the racist slave capital of the world? Not a single comment? Really?

Why do I face more fantasy racism as an elf in ferelden than I do in fucking TEVINTER? why do we hear about slaves in codex entries specifically written by those who don't condone slavery but we don't really interact with one?

Also how come there's so many elves in tevinter working normal service jobs? I know a bunch of them will be liberatis I get that, but like. You can't even be an elf in goddamn ferelden or kirkwall without risking being abducted by tevinter slavers. And you're telling me you can be an elf in minrathous itself without being abducted by tevinter slavers? Like one or two sure especially if they're protected by the shadow dragons but like brooooo

Speaking of the difference between the south and the north - does northern thedas just not do alienages ??? Is that something we're scrubbing off too?? I get it for minrathous because. Lol. But like - antiva? Is that something I just forgot? Alienages are acknowledged in like One codex entry but why wouldn't the north have them?

Don't get me wrong I Have liked some of the recontextualisation the game has done - but I think a lot of this has to do with bioware being afraid of repercussion if they include their staple fantasy racism in their game. And I do fucking get it lol you especially don't want a game about being whoever you want to be turn around and be racist to your face depending on the race you choose. But the thing is that you had 3 games and tons of side media that built this up - the world of thedas is a very unequal one, a deeply racist one, and it does take players aback when they've gotten used to it and then play veilguard and they're just able to frolic in the streets of the tevinter capital as an elf with no repercussion and not a single comment from it's inhabitants

It's so crazy going from being called fantasy slurs constantly in DAO to this KDJDKDJDJD

Like at some point it is a little bit immersion breaking just because we're otherwise so used to it and have been told several times that the north/tevinter would be much, much worse, you know?? But I do get that it's hard and that bioware is trying to move away from constantly hate criming their players. I get it's difficult. But it still hurts not just my immersion but in general hurts the worldbuilding and lore

There's a lot to be said about magic, too - but I'd want to reread the lore we had on these countries pre-veilguard and would like to also just, yknow, finish the game before I talk too much about it

[greenfiend]

Most of Stranger Things is within Will’s head…

Including El, the Mind Flayer, Vecna, and more characters...

A lot of people aren't going to like this or agree but- if you are willing to read this at risk that you won't like it... try to keep an open mind and keep that curiosity door open.

(Above is a direct cut from Will to this line...)

I just want to begin by saying: I believe Will is the center of this show. I know many disagree, and place other characters at the center but let me explain to you why I believe the show is mainly about him.

The show begins with Will, as his disappearance is the catalyst for every single event to follow.

If you take a step back, and look at the show as a whole… making Will the center makes the most narrative sense. Without Will… there is no Stranger Things.

(GIF from @/kaypeace21's post here)

Lonnie hammering a nail into the wall while we cut to Mike poking a hole into a piece of paper visually tells a lot. Remember guys, this show is all about showing and not telling. Here they are showing us that the abuse Lonnie has inflicted unto Will caused the gate to open. The Upside Down exists due to Will's trauma. This is because the Upside Down is Will's mindscape.

DID and Internal Worlds

Will has experienced trauma far more severe than we are explicitly told. His trauma mainly leads back to his father. If you are prepared to read about the depths of said trauma, read this post. Not for the faint of heart though, my friends.

In Will's case, his trauma as led to a specific rare mental health condition called: Dissociative Identity Disorder.

Dissociative identity disorder (DID) is a mental health condition where you have two or more separate personalities that control your behavior at different times. When personalities switch, you’ll have gaps in your memory. The identities are usually caused by living through trauma. x

This means I believe that many of the characters we know and love were created from Will's mind. There are common alter roles within a DID system, and this show has been assigning different characters to some of these roles this whole time.

Now, this is NOT a new theory. The creator of this theory is kaypeace21 (one of the original Byler theorists!) Check out her posts here and here. While I agree with a lot of what she has to say, I do think she jumped the gun a bit with some things... specifically: the Persecutor Alter... more on that soon (not to fault her at all! As Vecna did not even exist prior to ST4).

Let's go back to the Upside Down being Will's mindscape:

Many individuals with dissociative identity disorder (DID) have an internal world in which they or their alters can manifest as themselves and interact. These internal worlds, which are also known as inner worlds or headspaces, can range in size and complexity. x

The Upside Down = Will's internal world. Those that inhabit that world or arose from said world are likely Will's alters. Yes, that includes El, the Mind Flayer, Demogorgons, etc. and of course: Vecna.

Here's another visual clue! A hole in the wall (an opened gate...) at the Byers' house that may have "always been [there]".

I know we are told the gate had opened prior to Nov 6, 1983, and that El had been the one to open that door/gate. But... that's because El herself is Will. She is a personality that had developed from him.

Now, lets talk common DID alter roles and how some of our favourite characters fill these roles to a tee.

El, the Gatekeeper Alter

I talk about the Willel theory here but I'll explain it briefly. El is "the gatekeeper", she is the one who Will lets "front" most of the time. Because remember guys... Will "likes to hide".

El was even compared to D’art (who came from Will…) see post here.

Also worth noting: Will's abduction in the shed is compared to... the first atomic bomb (used in an act of war) called "Little Boy". Post about that comparison here. What occurs during a nuclear reaction? Nuclear fission. Fission meaning: SPLITTING INTO TWO! Just as we see with the Phineus Gage comparison. That exact moment was when "El" emerged from the UD (Will's mindscape) into "reality". Leading to her becoming... a literal gatekeeper for Will.

She also helps solve Will's dilemma of to stay or to go, as Will himself stays (in the UD) and El goes.

So... what do I mean by “the gatekeeper"?

A gatekeeper is an alter that controls switching or access to front, access to an internal world or certain areas within it, or access to certain alters or memories. x

Now. Remember guys, we literally see her closing the gate and she (allegedly) was the first to open said gate. She also is heavily associated with repressed memories (the whole NINA plot...)

El has always been protecting Will from facing his trauma and facing himself. That is why we see her "save" him multiple times, why she takes on the role of Mike's romantic partner, why she takes the brunt of the bullies at Lenora, and why Will looks on like a helpless bystander... It is not due to resentment nor cruelty but fear. Will has been hiding behind her this whole time. He is not ready to face his memories, trauma, and the world. Not yet...

The Mind Flayer, the Demon Alter

In abusive groups, a young child can be severely traumatized in order for abusers to intentionally create an alter, and the alter can be tricked into believing they have been possessed by, and have become, a demon. X

This one is pretty self-explanatory, as we literal have a "possession" plot line involving Will. Though, instead of being "possessed", this alter of Will's was fronting.

Vecna, the Persecutor Alter

This is the one I'm most excited (and nervous) to talk about because it is SO fascinating and it matches his character perfectly.

So basically, Vecna is NOT Henry Creel. Vecna is an alter of Will's existing in his hive mind. Hear me out about this.

What I believe is that Henry Creel (or perhaps Edward Creel), was a real person that Will had heard about resulting in him creating an alter based on him. This is called "Factive Introject":

An alter with the form, personality, and possibly the psychological backstory e.g. memories of an outer-world person, whether a relative, a celebrity, or even an acquaintance. x

I believe that when we see "Henry" within both the Rainbow Room AND the Upside Down... this is Will's alter. (The Rainbow Room is likely another inner world of Will's...).

Are you still with me on this? Because lets get into the real evidence here.

What is a persecutor alter?

Persecutors are alters that purposefully harm the body, system, host, core, or other alters, sabotage the system’s goals or healing, or work to assist the system’s abuser(s). x

I know that sounds pretty scary, and some easily dismiss persecutor alters as "evil" BUT they are not. Viewing any alters this way is harmful. All alters' goals are to protect the system, even if they may do so in misguided ways.

x

Most persecutor alters start out as protector alters… which exactly what we see in the show! “Henry” is kind and protective towards El (who is another alter).

Then he decides to “kill” the other kids/alters (I say kill but they will still live on in the mind.)

Lets look at the exact terms used to describe the effects the persecutor alter has on the system...

X

Headaches…

Internal bullying…

Increased blank spells…

Interference with function…

Self-multilation…

Still have doubts on this? Let’s continue…

x

As I said, the persecutor alter is not "evil", it is a misguided protector. Its goal is to protect and often does this by taking on all the suffering experienced by the host and the alters...

But why? Why does the persecutor alter do such things if the goal is to protect?

X

To prevent the host and alters from disclosing their abuse. Think about this for a moment. What did Chrissy, Fred, Patrick, and Max all have in common (other than trauma)? They all were seeing the student counsellor Ms. Kelley and revealing to her aspects of their trauma and abuse.

Vecna, as the persecutor alter, was having NONE of that and thus… “killed” them to protect the system. As he feared the consequences for Will/the system as a whole.

This is VERY telling for Will, because he has long been afraid of opening up about his abuse, trauma, and everything…

We see this emerge in many forms:

The Byers phone frequently going unanswered throughout the show due to Will’s fear of opening up/communication.

Lonnie telling Jonathan to keep his mouth shut for his mom’s sake…

The rats in ST3. To “rat” = to snitch.

El’s bullying in ST4. Angela repeatedly refers to her as a “snitch” even though she never did snitch.

Papa/the Demogorgon/Neil, the Abuser Alter

x I’m going to go right out and say this: “Papa” represents Will's abuser. We see him abuse El, Henry and others in a manner similar to what Will had experienced with Lonnie.

That’s why he’s called “Papa”, as he is a representation of the abusive papa of Will: Lonnie Byers.

Like Henry Creel, he is also likely based off a real person... Richard Brenner perhaps?

"That's what I have to do to keep her close to me. I don't want her going out. Men only want her for one thing and then they hurt her. She doesn't need anyone else but me." In addition to intimidating her so that she would not seek contact with men and risk further abuse, [the abuser alter] was also possessively trying to strengthen her attachment to him. X

This perfectly applies to Brenner's relationship with El, Henry and the others. He wants to isolate them to "protect" them from further abuse. We see this clearly as Brenner prevents El from leaving NINA, at all costs.

Again, even the alter representing the abuser should not be seen as “evil”. It’s complicated. All alters are aspect of the host, they are not evil. There are good intentions behind the bad actions.

Other Alters…

So, I believe other characters are also alters of Will’s such as:

Max, Billy, Chrissy, Fred, Patrick, Eddie, Argyle… and more. This post is getting far too long for me to expand on that just yet though.

Mike is “The Key” but… he’s not the only key

Let’s not forget about Ms Kelley and her key necklace!

Although Mike’s love will be an incredibly important aspect to saving Hawkins and saving Will�� Will also needs to open up, face his trauma, and reveal his truth. Keeping all of this bottled up inside is causing far more problems…

When it comes to treatment for DID, there are different methods. Some include:

Identifying and working through past trauma.

Managing sudden behavioral changes.

Merging separate identities into a single identity. x

The latter being a highly controversial one, and it may not be the right choice for everyone with DID.

Within the show however? We will likely see merging or fusion of some of the characters in the end (we likely already have too...)

We already have foreshadowing of fusion between Will and El:

Robin and Steve discussing the act of "combining" to "solve all [their] problems".

Dustin hugging El and Will only to have El visually disappear during their hug.

El ending the season standing alone in the Upside Down.

In DID there's also a concept called integration, which may not be as extreme as fusion.

The individual must then make the choice of to what extent they want to integrate their alters as part of their healing. Again, some degree of integration is inevitable. The individual must integrate traumatic materials in order to heal from PTSD. As well, enough integration between alters must occur to allow for easy communication, a lack of dissociative amnesia between parts, and a consistent sense of being grounded in the present and in the body. The individual must be able to take responsibility for all of the system's actions, and all alters in the system should work together towards the same goals. x

Basically, Will must become insightful of his condition and see all aspects of himself (all alters) as helpful (even if they may be misguided). It will NOT help him to simply "kill" any alters, that will not work. He must accept himself for who he is. He must learn to love all aspects of himself.

I won’t touch on it here, but I will just mention that I’m very confident the show will end with another realm/internal world that’s beautiful and full of life. Implying that Will has finally found some peace of mind. I talk about it in this post.

[rey-jake-therapist]

There's a lot of discourse around shipping lately, treating the concept of shipping a female character (in this case, Galadriel) with a male character as "sexist". Those who say this kind of thing will argue that shipping is equal to treating the female character as "a side character" for a male character, who would be considered by the shipper as the most important character of the two. For the record, this post is inspired particularly by a Reddit post, but I've read these takes many times.

Excerpt of said Reddit post :

People in this fandom center Galadriels entire character around the men she interacts with. Every time she speaks to a man, there is a group of people who start shipping her with that man. It's not even funny anymore how some people here can't talk about her character without bringing up some guy who she interacted with. And this is especially frustrating because a lot of these discussions push her into the wife role. She is "married to Sauron" she is "married to Adar" the ring she wears is totally an "engagement ring". Even though there are two men who also received rings and I don't see anyone calling their rings engagement rings. And then there are some discussions that are downright disgusting, especially the "the stab she received from Sauron is a metaphor for penetration," and I don't mind discussing that. What I have an issue with is the romanticizing of that moment. Because Sauron also stabbed Celebrimbor, but people don't have an issue calling out how fucked up that scene was. It's almost like people are treating her like an accessory to men, when the show doesn't even do that. One of the strongest relationships in season one in my opinion was her relationship to Miriel. But I barely see people talk about that.

Notice how this person says with their whole chest that they're all for the kinky stuff, but not for the romantic stuff; this screams like a person who reads Saurondriel smut in secret, but clutches their pearls as soon as there are feelings involved because "uh, he's evil !".

To see the whole thread, click here. Notice that there are some very intelligent reactions to this claim, proving once again that Reddit is not completely lost. At least, this sub in particular isn't.

I won't start dwelling on the fact that this trend which consists in claiming that romance somehow diminishes a female character is getting very old, it won't be the subject of this post. Others have already breached this subject in a much more articulate way than I could ever do.

When people say they don't like that people ship Galadriel, it almost always means, "we don't like her being shipped with Sauron, yikes". I mean, let's be real : the most popular ship, is, by far, Haladriel. We're the ones being "sexist" here . Tbf with this person, they mentioned other ships as well so I will give them the benefice of doubts. It's also clear that they can't take a joke, because I never saw any shipper, being Haladriel or else, who was serious when they called Galadriel "X's wife", but whatever.

But even if we were serious, what's sexist about that, exactly ? If she's "Sauron's wife", for example, doesn't that make Sauron "Galadriel's husband" as well ? Why is shipping always called out for making the female character "an accessory to the male character", and never as making the male character an accessory to the female character ?Why is it considered reducing towards Galadriel, but not towards Sauron/Adar/Elrond ? Do the male characters gain somehow more than female characters at being shipped ?

The same question can be asked about the sexualization of the characters : it's always considered "outrageous" and "sexist" to sexualize female characters, even when it's done by women (which is almost always the case, in the context of shipping), but generally okay to sexualize male characters, why ? Because male characters supposedly have "the power" in the dynamics, based on their gender ?

I mean, I just find these ideas very reductive.

Now on the subject of Galadriel always being "connected to male characters". Well, first, sorry, but Galadriel doesn't get to spend much time around other female characters, in the show. And even in the books written by Tolkien, errrrr...?? This person mentions Galadriel's relationship with Miriel, that no one talks about. Well, I would love for Galadriel and Miriel to have interacted more, but the fact is that most of her interactions were with Halbrand/Sauron, in season 1. She indeed had an interesting connection with Miriel, but the show dedicated so little time on it that it leaves not much to discuss, really.

And in season 2, it's even more simple: she doesn't interact with any other female character. There's a female Elf in the company who leaves Lindon for Eregion, but the writers didn't even give her a line until episode 7, and when they did they killed her off 10 sec after she opens her mouth for the first time. If she had a good relationship with Galadriel, we have no other choice but imagining it. So, yes, we discuss Galadriel's relationship with men, because this show is very male-centric. And Tolkien's world itself is very male-centric, as a matter of fact. That the fans, and the shippers in particular, are blamed for that is really something.

I would LOVE for other female characters, albeit non canon characters, to be introduced in the show and to interact with Galadriel. I would LOVE Galadriel to have a female best friend, or even a female rivale, an enemy, a colleague, whatever ! And if I hope that Galadriel will return to Numenor, and I think she will because it was hinted more than once (her vision in the Palantir identical to Miriel's, and Miriel's promise to Galadriel that Numenor will return, which could imply Galadriel's involvement), it's also because I want Miriel and Galadriel to resume their relationship. They'd have much to talk about, it'd be great !

Now I'd like to discuss Haladriel in particular, or more generally, Galadriel's relationship with Sauron. Another thing that bothers me with this discourse is that according to this person and many others, too much importance is given to this relationship, wether it's considered romantic or not. "Too much importance" ? Hello ? It's literally this relationship that led to all the events that followed ! In show!canon, I mean, not in the Tolkien lore. From now on, everything I'll write will be related to the show!canon, unless I specify otherwise.

I find very strange, to say the least, to feel criticized because I talk about Galadriel and Sauron, while the entirety of season was built around their relationship : even before they meet, she's obsessede with him. They meet on the sea, she saves him, they are brought to Numenor, they're thrown in jail together, Galadriel insists he's a lost king, he says nay, then he changes his mind, they fight together in the Southlands, she stops him from killing Adar, he does the same with her, they share a moment in the forest, she brings him to Eregion to heal him, then boom, she learns he's Sauron, they fight, and he leaves. And yes, Galadriel gets to interact with other characters, including Miriel, but c'mon now : the first season of this show has made Galadriel and Sauron's relationship the center of it all. Not just Galadriel, no ! Almost everything she does and says is related to Sauron. Is it our fault ? Is it the shippers fault, if the story was written this way ?

And don't get me started on all the sexual and romantic innuendos, that the tenants of this discourse are always prone to deny. "There was nothing romantic in their interactions !", "They were just friends !", "they were just political partners !". Sure, Jan. These innuendos were definitely present, the sexual tension was always present (and for God's sake, no, it wasn't the actors who wanted to jump each other, it was A-C-T-I-N-G). The writers and the directors wanted the audience to think there was, at the very least, a mutual attraction.

In season 2, Galadriel and Sauron barely interacted but they were constantly thinking of each other, especially Galadriel. Again, is it the fans' fault if they saw that and commented on a relationship that was broken, and yet still very present within the narrative ? Is it the shippers' fault if the writers decided to picture Galadriel as an ex lover in pain because her lover deceived her (or a friend deceibed by a fake friend, if that's how you interpret it !) ? Was it the shippers' decision to doll up an Elf woman as a discount Galadriel, so Sauron wouldn't take a break in his obsession for Galadriel ? No, again, it was the writing.

And actually, it makes sense that the writing spent so much time on this relationship in season 2, and will probably continue in season 3, 4 and 5 even if some of you firmly believe that Galadriel "shut the door" for good on him and will never see him or speak to him again. Because we know, this time from the Tolkien lore, that Sauron never stopped trying to grope to see her and her thought :

“I say to you Frodo that even as I speak to you I perceive the Dark Lord and know his mind, or all of his mind that concerns elves, and he gropes ever to see me and my thought but still the door is closed.”

It was literally the showrunners idea that Galadriel and Sauron must have had a sort of a relationship, based on this quote. Putting Galadriel and Sauron in a situationship was never a second thought !

It was meant to be important in the show, and it will remain important, because if it was what started this particular story told by the show, and it will probably be what will finish it as well.

To conclude : I understand why people don't all like Saurondriel... I understand why these same people don't understand why they are shipped, it's perfectly valid. But blaming the fans, and the shippers in particular, for talking so much about Galadriel's connection with Sauron, is speaking in bad faith, or being media illeterate because the writers WANT us to talk about it.

[kostevysen]

Most of these blogs are blogs that me and several members of the hetalia ask blog discord server (Yes, this exists, for more information, see this post) have interacted and hung out with frequently both in character and out of character!!! ^^ And we currently have a pending name to call the community! (Brain cells say we call it Hasta La Pasta, but it is pending and a vote will be called soon)

HETALIA ASK BLOG DIRECTORY (PART 1)

CREDITS TO @cafekitsune FOR THE DIVIDER (Please let me know if you want it removed!!)

★ MASTERLIST

Hi! I'm apart of a new and growing community of Hetalia ask blogs, you might have already seen us if you've ever stumbled upon the #hws ask blog tag! Due to fairly low engagement, we decided having a fully accessible masterlist/directory was a good thing to let you get to know us! Please keep in mind, the blogs on this list DO NOT INDULGE IN NSFW OR 18+ INTERACTIONS.

THE BLOGS (In Alphabetical order | A - S )

Austria 🇦🇹

— @askthearistocrat

America 🇺🇸

— @ask-the-hero-america

— @ask-hws-america

Belarus 🇧🇾

— @g-rlanachronism

Canada 🇨🇦

— @maplesyrupandsnow

China 🇨🇳

— @hws-china-but-awesome

Cyprus 🇨🇾

— @ask-cyprus

Czechia / Czech Republic 🇨🇿

— @hyphenssuck

Denmark 🇩🇰

— @ask-nyotaliadenmark (Nyo)

— @ask-therulerofscandinavia

England 🏴󠁧󠁢󠁥󠁮󠁧󠁿

— @ask-hws-england

— @ask-arthur-kirkland

— @ask-nyo-england-aster-kirkland (Nyo)

Egypt 🇪🇬

— @ask-gypt

Estonia 🇪🇪

— @hws-estonia

Finland 🇫🇮

— @askfinandhana

France 🇫🇷

— @francisbonnefoyforreal

Germany 🇩🇪

— @ask-hetalia-germany

— @ask-2p-ger (2p/Secondplayer)

Germania

— @magna-libera-germania

Greece 🇬🇷

— @askthesleepynation

Hungary 🇭🇺

— @elizabeta-hedervary

Hong Kong 🇭🇰

— @ask-dork-kong

Iceland 🇮🇸

— @ask-aph-hws-iceland

Ireland 🇮🇪

— @ask-hws-eire

Indonesia 🇮🇩

— @ask-hws-indonesia

Italy (Veneziano) 🇮🇹

— @ask-the-little-italian (Includes Chibitalia as well)

— @ask2pitalyblog (2p/Secondplayer)

— @italy-kin-blog

Italy (Romano) 🇮🇹

— @asking-italia-romano

— @ask-hws-romano

Japan 🇯🇵

— @askthesunrisenation

Kugelmugel

— @ask-the-spherical-nation

Latvia 🇱🇻

— @askthelittlegenius

Liechtenstein 🇱🇮

— @thelittleliechtensteiner

Lithuania 🇱🇹

— @asktolys

Luxembourg 🇱🇺

— @ask-hws-luxembourg

Macau 🇲🇴

— @ask-the-business-man

Mexico 🇲🇽 [OC]

— @askthemexican

Netherlands 🇳🇱

— @aph-hws-nederland

Norway 🇳🇴

— @ask-hws-norge

Philippines 🇵🇭

— @ask-the-pearloftheorient

Prussia

— @ask-the-awesome-prussian

Persian Empire

— @de-beste-persian-empire

Portugal 🇵🇹

— @aph-portugeese-of-wine

Russia 🇷🇺

— @askhetaliarussia

Rome

— @grandparomeaskblog

Seychelles 🇸🇨

— @askseychelles

Sweden 🇸🇪

— @ask-hwssverige

Sealand

— @im-arealcountry1

Spain 🇪🇸

— @asktheoyabun

Singapore 🇸🇬

— @ask-hws-singapore

(If you want to be added to or removed from the list, please contact me!)

[POST 1/2]

[feel free to reblog! <3]

[sarafangirlart]

I’ve realized that a lot of ppl who claim they like enemies to lovers aren’t actually interested in two complex characters with different ideals and goals fighting against each other only to learn to respect and like each other and reach a common ground that eventually leads to romance, they just like characters talking to each other like middle school bullies and call it “banter” and for them to have sex bc they’re just so in love with zero build up. Like the antagonism that started out between the characters aren’t a means to an end of a character/relationship arc, it’s supposed to be sexy and steamy when one character threatens another with death and violence, yet I’m supposed to take these interactions seriously… why? I’m supposed to think that the story has stakes when these characters are doing bedroom talk in what’s supposed to be a serious situation?

Like I’d see ppl saying the most mean, annoying, cruel and childish characters are actually misunderstood and all the horrible things they say and do to others is actually not true or bc of love. Ppl just want bully romances. What’s worse is when they ship a character with their abuser (or at least is metaphorically their abuser) and call it enemies to lovers.

[transformers-spike]

@yandereskies come get your juice, guess who couldn't take a break without writing a sequel to the G1 Soundwave x reader fic Tw:dubcon

You've grown used to it Someway, somehow, it doesn't feel as bad. A few months ago, you would have rather died than allowed it to happen. But now, you're too tired to do anything about it. Kick yourself all you want, you can't force flight or fight. You've run out of adrenaline.

The human mind isn't designed to withstand constant stress; you notice the threat, you run, you fight, you freeze or you allow yourself to be molded by it. The alarms blaring in your head have shut off, leaving you numb and exhausted with nothing to rely on.

You've been waiting for so long for the Autobots to reach you, but it's like you never existed. Are you this forgettable ? A no-one with the misfortune of meeting Gods? You are no Paris, no Perseus and certainly no Achilles; not even a meager soldier. You're a background character in your own life, meant to be overlooked and eventually forgotten.

“So why…” you want to ask, “why did you notice me?

He handled you gently despite your aggression, even as your insults turned vicious, he ignored your desperate attempts to hurt him.

The dread caused by the mere echo of his synthesized voice has disappeared altogether, lending a new strange sort of comfort that beyond all logic should not exist.

Yes, you are trapped. But is it so wrong to trade your freedom for recognition? He listens to you no matter how boring and one sided your conversations get. He offers you a generous (although limited) access to your favorite media; obscure shows he shouldn't know about, movies on your private watch list, and plenty of books, most from your old apartment. You still recognize their faded pages and worn out books.

You don't have to attend your 9 to 5 white-collar job anymore. Your office cubicle is empty if not outright replaced, your place in the company has never mattered and so does your fate. Why can't you let yourself be happy?

Your basic needs are met, you have more time than ever to focus on what you love, and you have access to much needed social interaction.

At first it was Laserbeak assuming sentry duty, standing guard in Soundwave’s quarters, watching you like a hawk. You must admit , you've made a wild dash for the exit countless times, only to have Laserbeak dive between you and the door, wings spread out and snapping his beak.

But you've mellowed out over time. Laserbeak switched to Ravage. Ravage switched to Buzzsaw. Buzzsaw switched to Rumble and Frenzy. Soon enough , you started watching your series with them; Laserbeak perched upon the edge of the couch, Ravage curled up at your feet, Buzzsaw lying next to you or Rumble and Frenzy casually hanging out on your ouch like roommates.

It shouldn’t be that hard to accept. You're fine. You're part of their fucked up little family – if you can even call it that. Soundwave carries you around like a beloved pet, the other Decepticons treating it so casually you wonder if you're the only human they own. If Megatron is bothered by his Communications Officer’s behavior, he shows no sign of it.

This is fine. Being around Soundwave makes you feel secure in yourself, because he cares about you. And if this is the only love being offered to you, you’ll gladly take it. Past you would have abhorred your actions, but that version of you is long dead and buried.

You let him have sex with you. It started off small; lingering touches, digits ghosting over skin you’d never let anyone else see. When he entered you, you felt complete, like he was your missing piece, and you became at peace with your own being. A single one of his digits filled you to the brim, unlike your old dildo. It hurt, but it was a good kind of hurt, a burning sensation as he stretched you open, having you clench around him like a virgin. He patiently worked you up until you came, delicately circling the sensitive bundle of nerves between your legs with the tip of his massive thumb.

When you opened your eyes, he was leaning over you, spike fully pressurized. You welcomed it against your entrance, stroking it between your spread legs until your inexperienced mouth brought his overload, coating your stomach in transfluid. “I love you,” you said, unsure of your own reality.

[mifustudy]

Lisa Miller vs. The Screen

Scott Pilgrim vs. the World is a six-volume graphic novel series that was published in 2004 by Canadian cartoonist Bryan Lee O’Malley. Through the growing fan base surrounding the novels, its story was adapted into four types of media, the most notable being the movie. The franchise boomed in popularity since its 2010 motion-picture adaptation, proving that as the years go by, most of the series' fans come from the hour-and-fifty-two-minute-long self-described epic. Gradually becoming a staple in pop culture, it was difficult to miss in online spaces, but one component of the story slipped through the cracks: a character named Lisa Miller. Completely scrapped from the movie script, fans of the Scott Pilgrim universe who are unfamiliar with the original graphic novel series will be pleasantly surprised if they look back on the source material; Lisa is a far richer character than the other adaptations fail to depict. She is more than a mislabeled "manic pixie dream girl" and contributes to the plot's progression in a major way. 

Zeroing in on the well-known film adaptation, entire storylines were scrapped from the script, one of which follows Lisa closely. Introduced in Volume 2 and then properly utilized in Volume 4, she is established as an old friend of our protagonist, Scott Pilgrim. Meeting in high school, Lisa and Scott became fast friends then created a band together with drummer Kim Pine called “Sonic & Knuckles.” This flashback that lasts about 34 pages gives the audience a peek into how these characters came to know each other while Volume 4 builds on Lisa’s motives and feelings towards Scott.  

Lisa, abruptly entering Scott’s life after around a decade, strains his relationship with his current girlfriend, Ramona Flowers, leading her to believe he is cheating. The couple quarrels on and off throughout the book as Lisa looms on the sidelines. The two have a big fight, leading to Scott getting kicked out of the apartment for the night. Stuck with nowhere else to turn, he calls Lisa, and she lets him crash at her place. There seems like she has an ulterior motive; she dressed suggestively, subtly moving closer to our unassuming protagonist within each panel, causing an alarming amount of tension. Scott comes to his senses and proclaims his love for Ramona to Lisa, rejecting any and all advances and closing the door on her one-sided infatuation. The three of them move on from this, Scott and Ramona remaining a couple and Lisa leaving for California to pursue an acting career.  

This (very) brief summary of her arc fails to capture the depth of Lisa’s character. Discussing her Volume 4 actions further shows that this character propels our two protagonists, Scott and Ramona, through their own respective character arcs. Giving our main characters more than their regular relationship—as regular as “defeating seven evil exes” can be—creates a refreshing plotline within an episodic graphic novel series while simultaneously developing the audience’s understanding of the two. Illustrating a clearer image of Scott and Ramona’s relationship beyond the rose-colored glasses applied to the audience in the first couple of volumes is beneficial for the development needed to maintain undivided attention throughout the story. 

Let’s discuss how Lisa's presence affects Scott Pilgrim’s character arc. Her short-lived appearance in Volume 2 set the stage for Volume 4, with most of the reason Scott decides to reconnect coming from nostalgia. Bringing Lisa around the group shortly after their reunion, this nostalgia-driven get-together expanded their individual connection, branching out into her connecting with everyone else; the only person Scott worries about is Ramona, his girlfriend. The undeniable discomfort present on his face as the two women interact feels uncalled for—considering Scott has not done anything inherently wrong—as he remains on edge the entire time they interact.

The coup de grâce of it all is when Scott stays at Lisa’s place the night after his big fight with Ramona. She finally comes clean about how she has been acting since they have reconnected; her dressing “all tarted up” specifically for Scott because he “couldn’t take [his] eyes off [her].” She felt awful about her actions, but she kept going anyway. When Scott tells her why he is there, he is greeted with a romantic advance. The panels fade to black and open back up to the next morning. Lisa filled Scott in on what happened: he chose Ramona over her—the panel explains it far better than I could summarize. Lisa plays a significant role in Scott's character arc, demonstrating how much he has matured and improved his relationship skills, realizing he feels genuine love for Ramona and should confess through Lisa’s actions.

Ramona’s growth is not as extreme as Scott’s but still offers further characterization absent in the film adaptation. Like Lisa, the two women have little to no character development; Ramona at least stars in the movie while Lisa lands a namedrop. The blonde’s introduction back into Scott’s life damages Ramona’s trust in their relationship, partly due to the fact she had not once heard of her before this, that the two have been spending an awful lot of time together, and that he is too dense to realize the subtle advances Lisa had been making the entire time. Creating friction and hostility between the couple generates a peek into Ramona’s mind, an infrequent occurrence throughout the six volumes. The two women share multiple “manic pixie dream girl” attributes—this is a complicated movie trope to dissect here, but a simplified definition can suffice. The MPDG is a female character portrayed as eccentric and desirable used only to push the plot in a film forward. They have no other character traits besides that, they are sort of like props. Lisa falls into this category and Ramona falls here only in the context of the film; Lisa’s existence prevents Ramona’s mischaracterization in the movie from happening within the books, acting as a character foil or “Evil Ex” for her in a way. 

Winding down from intense character descriptions, Lisa Miller plays a pivotal role in the Scott Pilgrim vs. the World adaptations. While she may not be involved in the most popular portions of the franchise, she still holds up as an important part of the original story. With occasional references here and there, Lisa remains a piece of the oversized puzzle of Scott Pilgrim. Fans of the film unfamiliar with the graphic novel series’ story are highly encouraged to read back on what they are missing: the character of Lisa Miller is far more nuanced than she is usually portrayed as online. She serves as more than just a “manic pixie dream girl” and has an enormous impact on the plot's progression.  

[canmom]

finished Carmilla. what a wonderfully silly novel that was. I need to download an ebook to count how many times Le Fanu uses the word 'languid'.

that said, reading with modern eyes, I think it's a bit of a victim of many subsequent novels elaborating on vampires, and some of the conventions of Victorian literature - in particular, the rule that the narrator has to survive in order to recount the tale, and the evil must be overthrown and tied up neatly. worse, Laura ends up an entirely passive character, with the final resolution seeing Carmilla killed by a couple of side characters, one of whom hasn't even been mentioned up to that point.

the novel is at its best when Carmilla and Laura are interacting. I would have liked to see Laura return Carmilla's affections a bit more, rather than just being like 'well that was weird' every time Carmilla lezzes it up or says something hilariously morbid. but there is definitely humour in her being very literally the straight girl.

I've seen subsequent adaptations of Carmilla, notably my friend Maki @mxmy's Dr Carmilla character, who's - at least in what is released so far - a space vampire with a habit of picking up waifs and strays and turning them into immortal pirates, something which tends to end badly for everyone. the other is (if anyone still remembers) the 2014 Carmilla web series on youtube, which is set in a college dormitory in the States, and presents Carmilla in a more positive light. in the end, I was a little surprised to find both these works take little other than the premise of 'lesbian vampire called Carmilla' and her relationship with a girl called Laura or Lorelei. the web series pulls in a few other names from the novel but completely reframes the situation, adding a new male vampire who is exploiting Carmilla to act as a villain (it was 2010s pop-feminism, you know how it goes). Dr Carmilla currently only vaguely hints at the relationship between Carmilla and Lorelei in the released songs, but involves a new apocalyptic scenario (I think that's about all I can say) - but it does at least keep Carmilla as an itinerant traveller, and keeps the tragic air of the story.

it is not entirely made clear in the novel if the waking Carmilla is aware of her vampiric excursions. it's easy to suppose while reading it that she's just a good liar who's taking them all for a ride, and I think that's still the best supported interpretation, but I think there's equally a reading where she's unaware of the whole vampire thing, and genuinely likes this daft straight girl Laura and before her, the general's daughter. if she is aware, she's really bad at covering her tracks, particularly with her disappearing act. the whole anagram schtick is explicitly named as a rule she has to operate under, but there's plenty she does to tip off her victims and their families. perhaps the point is that she's just charismatic enough to get away with it.

the character of carmilla's mother is a thread that never quite seems to get resolved. the natural assumption is that she's another vampire, dropping her daughter off in a new feeding ground - but since the ending acts like Carmilla was the only surviving vampire, I wonder if perhaps she should be taken as an illusion conjured by Carmilla, perhaps the reason she has to be sent away on a mysterious carriage ride as soon as possible in each instance?

the vampire is traditionally taken to be in part a symbol of the feudal past of cruel aristos persisting and corrupting the rational present, something that makes plenty of sense for Dracula, but in Carmilla's case, nearly every character is a castle-dwelling aristocrat of some sort, and the peasants and servants are treated as mostly beneath notice by the narrative and characters (one scene that stands out has Carmilla, feeling insulted by a trinket seller, idly talk about how in her day she'd have called for his bloody execution - a comment that seems to bother Laura very little). the main characters are even related to Carmilla's family. perhaps just a case of early iterations of an idea, not yet fully formed.

one thing I do like about Carmilla is the amount of physical affection - Carmilla is constantly touching and kissing Laura, and while Le Fanu probably didn't mean this the way we would today, it provides for strong images of sickly Carmilla draping herself all over her new object of affections, like she's acquired a new favourite doll. I can see why this is widely understood as a lesbian novel even though it's very Victorian; it's kinda dark yuri, like Carmilla is coming into the lives of these lonely girls and kind of lovebombing them with expressions of affection and devotion, and whomst among us... it would take many more decades of horny writers to really get into the eroticism of vampiric blood drinking itself though, which here largely takes place in a deniable way, while Laura is sleeping.

despite the reputation for Victorian novels to be long and rambling, this was a rather brisk book. I honestly wish it was a bit longer - a very obvious addition would be a chance for Laura to talk to Carmilla once she's finally figured out the vampire thing, instead of rushing to the ending. it seemed Le Fanu was more interested in explaining vampires (fucked up amirite), which makes sense for the time, but nowadays we all know what the deal is with vampires and instead the core relationship is the interesting part. ah well! it's worth the time to read.

[ioser-boy]

hahahsgahahahahahah i love paintbrush. ragh

do you have their moveset? it doesn’t have to be super specific like damage and all that just like what the move does.

whatre some dialogue options for them?? (like kills, assists, interacting with others, etc.)

also do elaborate on that au you mentioned!! i love phighting AUs :3

trying to get more art out i’ve just been super busy- trust tho i’m working on a ton of stuff for y’all :]

but heres their moveset + some dialouge under cut!! accompanied by messy lil doodles and occasionally my funky handwriting :]

okay so fair warning i have no idea how to make balanced movesets so they may be really overpowered or underpowered i have no idea

also some lore i havent explained yet is scattered in their dialogue just for funsies so if you have theory’s pls share i’d love to see them :]

Paintbrush is a tank!!

They’re a mid range melee fighter thats heavy n slow but does high damage

ok heres the actual moveset

Passive- PAINT SPILL

The more you attack, the more paint you lose. Losing paint increases your attack speed but decreases damage dealt. Regain paint slowly overtime or by 50% upon elimination.

Using your primary attack covers enemies in paint each time they are hit. At five stacks apply slow and vulnerability to an enemy.

Primary- (name pending)

Swing your paintbrush forward in a wide radius.

Secondary- DRYBRUSHING/(name pending)

If at less than 30% paint, quickly slash forward four times, favoring speed rather than damage. Doing this doesn’t add marks to an enemy.

With paint, slash twice, dealing knock back and applying slow to enemies hit.

Q- DIP!

At the cost of paint hold ‘Q’ to drag your paintbrush across the floor, giving you a small speed boost. Releasing ‘Q’ or running out of paint: jump and do a flip into the air before slamming your brush down, causing AoE damage.

If you run out of paint before attack finishes, deal significantly less damage.

E- (name pending)

Use your palette as a temporary shield for up to 15 seconds or until it is destroyed. Press E again while your shield is still up to toss your palette in front of you and knock back any enemies.

( Once you toss your shield it doesn’t come back to you until the ability cool down finishes. It’s not a boomerang )

PHINISHER- WATERCOLORS

yeah i’m still thinking of ideas for this one :cri:

My reasoning behind the moves I chose

you can skip to dialogue if you don’t feel like reading a ton of text cause there’s a lot lol.

My thought process behind the passive effect with the stacking and everything is like- they’re ‘covering’ their enemies in paint, so when covered in enough paint (the 5 stacks) it makes the enemy slower and leaves them more vulnerable if that makes sense. I also wanted paintbrush to have some sort of big limitation which is where the limited paint mechanic comes from cause I had a feeling i would probably accidentally make them too op lol.

Primary is pretty self explanatory. Though, the secondary im really proud of simply because I like the name ‘drybrushing’ lol.

The Q ability was actually suggested by a friend. Originally Q was just a dash ability to give paintbrush a chance to get away from faster characters since they’re naturally slower but i liked the lil flip idea just cause that seems fun :]

Also I called it ‘dip’ because the slam into the ground made me think of dipping a paint brush in paint? if that makes sense? (though.. that is a very aggressive way to get paint if ur doing it how Brush does in the attack lmao)

Ok my favorite, the E ability!! So if you haven’t seen my other post abt them (go look at it!! their ref sheet, lore and character relationships r there /nf)

But yeah if you haven’t seen it, Paintbrush is based off of the ‘powerful paintbrush’ item, which also comes with a palette that acts like a shield. I didn’t want to give them both a shield and their brush, so I decided to turn it into a ability.

I will say this ability is definitely the most thought out one. The idea is that since Paintbrush is slower they’re more susceptible to being rushed by faster characters like say- Skateboard or Biograft for example. So this shield is there to block those attacks, but also can be used to knock enemies back to give Brush a chance to escape. You can’t attack with the shield up so it’s use is purely to just deflect damage until you toss it or until it breaks/runs out.

DIALOUGE

ok, these were actually very fun to write so here you go.

BASIC DIALOGUE-

Biograft: IS THAT YOUR WEAPON?

Paintbrush: Uh.. yeah!

Biograft: IT IS LARGE AND INCONVENIENT.

Paintbrush: …Thanks?

Coil: Brush!? When did you get here?

Paintbrush: Pff- I’ve been here, Coil.

Paintbrush: An exploding sword? That’s pretty creative.

Sword: Thanks!

Sword: Wait, who are you?

Katana: Your paintbrush, is it not heavy?

Paintbrush: It is, but I’ve gotten used to it!

Hyperlaser: You’re quite skilled. Both as an artist and a phighter.

Paintbrush: Thanks! You’re not so bad yourself.

Paintbrush: As a uh, as a phighter- I mean.

Rocket: Brush! It’s good to see you again.

Paintbrush: Likewise, Rocket!

Rocket: Brush? When did you dye your horns?

Paintbrush: Not too long ago, did em’ myself!

Rocket: Huh, they look good!

Paintbrush: Thanks!

Paintbrush: You saw..?

Rocket: Yeah- I saw it.

Paintbrush: Yeesh, never going to get that image out of my head.

Rocket: Yeah… Does this make us siblings?

Paintbrush: Wha- Slow down!

Slingshot: Haha! You must be new here!

Paintbrush: Hey! Wait!

Slingshot: Sorry, try and keep up!

Shuriken: Speed it up, new kid!

Paintbrush: Huh? Hey! I’m no kid!

Paintbrush: Hey.. aren’t you-

Scythe: You keep yer mouth shut.

Paintbrush: !!

Scythe: Those horns of yers are pretty.

Paintbrush: Oh, thank you!

Scythe: How’d you feel if I cut em off? You could match yer dad!

Paintbrush: What-?!

Boombox: You listen to any music, Brush?

Paintbrush: Definitely! It helps with the creative process.

Boombox: Do you have a favorite genre, Brush?

Paintbrush: Not really, I’ll listen to anything as long as it’s upbeat!

Paintbrush: Hey! I like your music!

Boombox: Really? Thanks!

Paintbrush: I could do with a shield!

Boombox: On it!

Paintbrush: Thank you!

Boombox: Hey! I like your style!

Paintbrush: …

Paintbrush: Wait, was he talking to me?

Paintbrush: Hey! Wait up!

Vinestaff: Please use caution, phights can be difficult to adjust to.

Paintbrush: I think I know what I’m doing, but okay!

Vinestaff: Please use caution, phights can be difficult to adjust to.

Paintbrush: I appreciate your concern, but i’ve got this!

Vinestaff: You’re friends with Sling, right?

Paintbrush: Huh? Does he consider us friends?

Paintbrush: Then I guess so!

Paintbrush: Seriously? Why do they keep pairing me up with you..?

Skateboard: Hey! You got a problem?

Paintbrush: Ack- you weren’t supposed to hear that..!

Skateboard: I swear, If I have to hear one more song from Boombox about you-

Paintbrush: He.. makes music about me?

Skateboard: Hey! You didn’t hear it from me!

Paintbrush: …Okay?

Paintbrush: Oh, it’s you.

Subspace: What?? What’s that supposed to mean!?

Paintbrush: I don’t want your help.

Medkit: You don’t have much of a choice.

Medkit: Have we met before?

Paintbrush: No.

Medkit: …Alright.

KILL ASSISTS-

Skateboard: Too slow!

Paintbrush: Wha- That was totally my kill!

ok!! that’s it for my ramblings!!

Thank you for listening to me yap abt paintbrush again- they’re actually one of my favorite oc’s and i’ve put so much work into them.

(also i was going to talk abt the AU as well but tumblr is actively lagging because this post is so long so maybe another time lol)

have a good day!